New Search

If you are not happy with the results below please do another search

79 search results for: New PEGACPCSD23V1 Reliable Braindumps Sheet Free PDF | Latest PEGACPCSD23V1 Test Lab Questions: Certified Pega Customer Service Developer 23 🔑 The page for free download of ⮆ PEGACPCSD23V1 ⮄ on ➠ www.pdfvce.com 🠰 will open immediately 🏮Dumps PEGACPCSD23V1 PDF

41

Azul añil, 1989

/by

Guerrero’s work in the nineties is not a skillful, astute reworking of the already known, but a celebration of the properties of painting, a transformation of colour into form, where…

42

Oferta con rojo, 1988

/by

The space Guerrero has always painted is very enigmatic despite its simplicity. It is based on a very slight tension between background and foreground that is immediately corrected by colour,…

43

Cuenca, 1986

/by

…although the structure responds to the basic principles of his work of the late seventies and eighties, these are really works where the best of Guerrero lies. SANTIAGO B. OLMO…

44

Verde oliva, 1979

/by

…seen within the masses of colour, were applied along parallel directions, with short movements of the arm, avoiding the circular scientism that produces curves on the canvas. JUAN ANTONIO RAMÍREZ…

45

Litoral, 1979

/by

Colours – they tighten their enclosures and on reaching the end of their littoral, everything becomes imprisoned, that is where the spaces, the lines end, that is where the pulse…

46

Presence of Black, 1977

/by

Today, in my studio, on opening a tube of violet, it fell onto the floor. It burst (I was working on two pictures on the floor), the cap flew off,…

47

Expansión azul, 1976

/by

After a few days of anguish and frustration, I broke up all these spaces on the canvas and resolved this group of pictures that I thought I would call “Expansion”….

48

Enlace, 1975

/by

His painting had reached the same degree of mastery as his life. He had resolved harshness, anguish and loss, and dissolved contentedly, serenely, into his legendary classicism. FRANCISCO BAENA…

49

Saliente, 1974

/by

It is not obvious, but the idea is interesting – the simplicity of his pictures and the chromatic economy return us to the spare constructions of pictorial space such as…

50

Lateral, 1974

/by

…“rewriting” in many of his canvasses, reworking them almost completely over very long periods, maintaining and cooling the gesture in the case of his compositions from the fifties and sixties,…