Guerrero’s works from the early sixties (…) made use of fluidity and colour, but above all they are vehement abstract representations of coloured pictorial masses jostling for position inside the…

…the white sunlight on the clay houses continued to cause a disturbance in his memory that he now brought to life on the canvas within the coloured space. DORE ASHTON…

Those canvasses were characterized by the presence of irregular patches of a normally dark colour, floating on much brighter chromatic backgrounds. The tones are velvety, and the shifts between the…

…Guerrero’s adaptation is full of misunderstandings and corruptions of cubist vocabulary. But, in the 1949 picture, there is also a deliberate intrusion of colour that foretells his future. DORE ASHTON…

…Wedding, when the women receive the bodies of Leonardo and the groom at the door of the house. The mother says, “The cross, the cross,” and the women reply, “Sweet…